End credits for film and TV. Built from your production documents in seconds, rendered on your Mac.
guilds checked before you render: DGA, WGA, SAG‑AFTRA and PGA
standard roles across 30 departments, in industry order
delivery formats up to 4K, from ProRes 4444 to EXR
to design and preview your credits. Clean masters from $499.
Did you wrap the next Apocalypse Now with 238 shoot days? Throw it all in. Call sheets. Wrapbook exports. Music cue sheets. The Wrangler can read hundreds of production documents, sort the names, and build the credits in seconds. Never build the spreadsheet yourself.
Rather build it by hand? Start from a feature, animated film or TV season template. Invite the crew to add names, comments and documents from any browser. Everything lands in the app ready to merge.
| Role | Name | On screen | ||
|---|---|---|---|---|
| 1 | Directed by | Rowan Pike | – | |
| 2 | Written by | Mara Voss & Daniel Okafor | – | |
| 3 | Production3 credits | |||
| 4 | Unit Production Manager | Dana Whitlock | – | |
| 5 | First Assistant Director | Owen HaleRoy Stevens | MDUndo | – |
| 6 | Second Assistant Director | — | – | |
| + credit | ||||
| 7 | Cast2 credits | |||
| 8 | Iris Calloway | Helena Marsh | – | |
| 9 | Detective Ray Nolan | Theo Grant | – | |
| + credit | ||||
| 10 | Stunts1 credit | |||
| 11 | Stunt Coordinator | Rafael Duarte | – | |
Marcus Delagdo will receive an email to confirm or correct their name. One answer covers every episode of the season that carries this credit.
Saul Bass gave Vertigo, Psycho and North by Northwest a look of their own. Set yours once and every credit inherits it. The whole system saves as a template, ready for the next project.
A template is a file. It carries the styling, so you can use it for your next project or share it with a colleague.
A misplaced name in the credits is a contract problem. Final Frame reads the whole roll before you render and flags what usually needs a second look, citing the guild source each time.
Render your credits and invite your team to review them. Their notes and name fixes automatically arrive in the desktop app, ready to merge, instead of a producer texting you in the middle of the night.
| Role | Name | On screen | ||
|---|---|---|---|---|
| 41 | Camera3 credits | |||
| 42 | Camera Operator | Tomás Reyes | 01:42:14 | |
| 43 | First Assistant Camera | Marcus DelagdoMarcus Delgado | JPUndo | 01:42:18 |
| 44 | Steadicam Operator | June Park | 01:42:22 | |
| 45 | Production Sound2 credits | |||
| 46 | Production Sound Mixer | Ana Ferreira | LOUndo | – |
| 47 | Boom Operator | Kai Mendes | 01:42:31 | |
Credits jitter when the type moves in fractional pixels. Final Frame’s speed control only moves in whole pixels, which makes for smoother credits.
A whole step. Every edge lands on a pixel boundary. Every frame draws the letter identically.
A fractional step. The same letter, half a pixel down. Every horizontal edge softens, and the softening shifts each frame.
Masters render on your own Mac, with no upload and no queue. Eleven delivery formats, and no extra charge for 4K over 2K.
Design, preview and render every format at full resolution. The renders carry a watermark until it’s licensed.
The whole app for free. Every format at full resolution.
Your renders carry a watermark until you license them.
Try it freeOne film, from first name to final sign-off. Your crew adds names, watches the roll and approves it.
Start a productionUp to 26 episodes. Fix a name once and it’s fixed in every episode.
Start a seasonFor companies with more than one show a year. Every film and season you make, for one price.
Cancel any time.
SubscribeBuy that matcha latte. Students get everything in Pro, free for twelve months.
Apply with your school email and tell us about your film.
ApplyPrices in US dollars. Tax is added at checkout.
Your credits are the last thing the audience sees. Download Final Frame and watch a roll play at delivery quality in minutes.